“A climactic scene
should not come as a total surprise for the reader. If anything, it may come as
a relief, because scenes prior to this one should have increased in tension and
suspense, and become more emotionally dramatic for your protagonist, clueing
the reader in that a terrible collision (literal or figurative) is on its way.”
- From Make a Scene by Jordan E. Rosenfeld
(recommended for the retreat)
Often, anticipation falls short of the actual event.
Especially when we’re waiting for something big for months, the payoff can seem
small in comparison. Last week, I saw Arcade Fire perform in
Manchester, MA at the Xfinity Center, which is outdoors. The weather was
perfect. The band was AMAZING. I ordered those tickets during pre-sale in
November 2013. It took me 45 minutes of trying to order before I finally
snagged a pair. And I’d already been waiting for the tickets to go on sale
since the album Reflektor came out.
When the band finally performed, I certainly wasn’t disappointed. But
somehow the excitement of the wait was as much a part of the concert experience.
Does that make sense?
I worried that
when I attended the Revision Retreat run by Eileen Robinson and Harold Underdown at the Highlights Foundation that the retreat couldn’t
possibly be as good as I built it up to be.
It would be my
first formal writing retreat.
Back in February, I wanted to take class at Salem State
University. I needed a prerequisite, but the professor thought I was ready. So
I received permission from the university. This would make it
easier for me to finish my special education certification by May 2015.
The happiness was short-lived when I realized the second
weekend of the course would take place the
same weekend as the NE-SCBWI Conference.
Clearly, I couldn’t attend both.
In the end, my “hobby” had to take a backseat to my paying
career. This epiphany hurt.
I still wanted to do something. But what? I thought about going to another
conference, hiring an editor to review a manuscript, or attending a retreat. The
people who attended the Highlights retreats always raved about them. They were more than I spent for
conferences, so I hadn’t seriously considered them before. I checked with
Harold and Highlights to find out if there’d be a revision retreat. Several times. When the dates were
confirmed, I think I was the first to sign up.
Back then, shoveling snow, August
seemed too far away.
I should’ve known all I had to do was wait for summer. What
moves faster than summer?
On the drive to the retreat, I hit downpours and drizzles
until I reached the NY border. The blue skies seemed like a good sign.
All I can do is gush about the retreat. I learned a lot at the tour
of Highlights Magazine and Boyd Mills Press. Then we headed the 8 miles to The
Barn. They thought of everything.
If you take a plane, someone will pick you up. We were given a bag of goodies.
There are flashlights in the rooms, in case you’ll be out after dark. The accommodations
are comfortable. They supply unlimited drinks and snacks any time of day or
night. The chef cooks gourmet meals. Yoga if offered each morning. We took
walks in the picturesque paths each afternoon. There are writing spaces inside
and outside—designed for inspiration.
Loft for yoga, writing, and critique sessions.
A deer-muse visited me outside my
bedroom window.
But besides the accommodations and the food, what made the
place special was the people. The
staff working at Highlights, Harold and Eileen, and the writers made those 5
days critical to my revision process.
I learned a tremendous amount from the workshops and critique sessions,
and other writers also provided invaluable resources. I got a lesson on how to
use Scrivener. People set up impromptu critique groups. Best of all, we all had
so much to talk about—both writing and non-writing related topics. During
meals, I felt like I was hanging with old friends.
Those 5 days went
by too quickly.
As I drove down the highway on my way home, I noticed it was
5:30pm. I sighed. Wonder what the chef is
serving for appetizers tonight.
A couple of nights later, I attended the Arcade Fire Concert. In 1 week, I was lucky enough to have 2 amazing experiences. And the next day, my
son turned 16, and he passed his Learner’s Permit test.
Maybe it’s like what Jordan E. Rosenfeld says in the book, Make a Scene. As writers, we want to
build up to the climax so that the readers are in a high state of anticipation.
Then that climax needs to pay off.
The excitement of the week has passed. Life goes on. School
begins just after Labor Day.
But I keep the memories close. We knew each
other for such a short time but all connected so well. And I found guidance for
my manuscript, which has reinvigorated me (and my story). Best of all, I can
use the tools I’ve learned for other projects.
I’m already saving my pennies in anticipation of next year’s
retreat.
Writers, have you attended a formal writing retreat?
What was your experience?
